This results in a realistic, professional sound that avoids the ‘cluster’ effect that plagues many software-based horn productions. Furthermore, the unique Smart Voice Split automatically allocates each note of a chord to the corresponding brass instrument, just as an arranger would.
All instruments were sampled in a wide range of articulations, including specific samples to reproduce the authentic sound of typical legato horn lines. SESSION HORNS is based on four meticulously sampled instruments: a tenor sax, a trombone and two trumpets, playable either as a standard instrument or using the included musical phrases. If you haven’t bought the first version and you produce the kind of music where funky horns, both vintage and modern, are an important ingredient, Session Horns PRO ought to be on your shopping list.Notable for its pristine and authentic sound, SESSION HORNS is designed to allow producers of all levels access to high quality horns, and includes a number of features that make it a highly creative and usable tool for a large variety of musical styles. An update from Session Horns is available and worth buying for the additional features such as multiple keyswitching, extra instruments and sound sets and, of course, the solo instruments, which make a huge difference when detailed editing is needed. Where Session Horns provides many of the features required for fast but small-size horn section writing, especially for musicians with limited arranging experience, Session Horns PRO expands the principle further. Perhaps the biggest advantage over the original version, though, is the addition of the Solo folder, which provides access to all the individual instruments and their keyswitches for detailed editing.Īlthough not as intricate as a dedicated solo instrument sample library and not really suitable for big band work, they have just the right sound and character for producing pop, jazz and funky horn lines. Similar to the Performance folder, the Key Switch files provide 16 key switchable articulations for both performance or composition, nine of which can be selected at a time.
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